Summery of key business arguments for and against diversity Essay

Summery of key business arguments for and against diversity - Essay Example This paper seeks to provide arguments for diversity in the workplace, in addition, to arguments against diversity. An organization can increase revenue by improving the diversity of its team, which in turn improves decision-making and problem solving. Diverse teams have a richer and broader base of experience, which they can draw on, to solve organizational issues and problems. The presence of views from the minority can create a higher level of critical analysis of implications and assumptions in decision-making (Thiederman 1). Additionally, it also provides for an increase of alternatives from which the team can choose. Problem resolution benefits from a diverse workforce with dependency on manager who is diversity-competent and utilizes key behaviors of diversity management. A properly trained and managed diverse team is more successful in resolving work-related difficulties than homogenous teams. However, diversity does not work out if this diversity is not utilized effectively (Thiederman 1). Diversity also increases the ability of an organization to be innovative and creative (Jackson 1). These skills are best used in quality improvement, process re-engineering, advertising, and introduction of new products. Diversity can also help where an organization is serving a diverse customer base. For example, if an organization is serving Hispanic and Black consumers, then a diverse workforce will be better equipped to handle them on a personal level. Allied Sinai is a perfect example of this as they successfully negotiated the sale of wheels to China East Airlines, with the success put down to the presence of Americans of Chinese origin on their sales team (Jackson 1). However, diversity does have its drawbacks. Diversity can act as an impediment to effective communication, which, in turn, can dampen the cohesiveness and productivity of small, work teams (Mayhew 1). Spending time together can act, as a gradual way of breaking down these barriers to

Sources and Classifications of Law in the United Kingdom Essay

Sources and Classifications of Law in the United Kingdom - Essay Example   Legislation refers to the law, which is made by a body specially constituted for that purpose. The legislation is classified into primary and secondary legislations. Legislation in the UK derives from various sources. The Supreme legislation body for the United Kingdom is the Parliament of the UK of Great Britain and Northern Ireland, British Overseas territories and British Crown dependencies; the parliament is also referred to as the Westminster.   Each of the three major jurisdictions of the United Kingdom: Northern Ireland, English and Wales, and Scotland has its laws and legislative systems. The Westminster possesses legislative supremacy; therefore, it has ultimate power over all other political powers in the United Kingdom and its territories. Legislation in the United Kingdom takes the form of Acts or Statutory Instruments. The Acts are passed directly by Parliament while the government minister or the Queen-in-council makes Statutory Instruments under the authority of Parliament.   Primary legislation constitutes the law made by the legislative branch of the government. The primary legislation takes the form of Acts of Parliament in the United Kingdom. In primary legislation, the parliament is the law making body; this is because Parliament derives its law making powers directly from the Constitution.  Ã‚   Secondary legislation in the United Kingdom must receive the authorization from the primary legislation in order to ensure conformance to boundaries laid down by primary legislation.   Ã‚  

The Supply Chain in A Brick and Mortar Environment Essay Example for Free

The Supply Chain in A Brick and Mortar Environment Essay The trading of company stock to the public has been going on for many, many years. Over the years the supply chain for buying and selling equity stock has changed with innovations in technology. Today, the old brick and mortar environment of equity trading is being replaced by virtual trading through websites like Ameritrade, E-Trade, and Trade Station. Brick and MortarWhen a privately held company needs money to expand their business, quite often they choose to sell part of the company through a public stock offering. To facilitate this process an investment banker is most often involved helping value the company and determine the price of each share of stock. Once the value of each share of stock is determined and the amount of funds needed by the company are complete, the investment banker forms a syndicate of broker/dealers who take on the responsibility of either purchasing all the shares of stock the company has to offer or to help sell in an initial public offering. The investment banker and syndicate members receive a concession for each share of stock sold. For example, if one share of stock is being offered at a price of one dollar, the investment banker and syndicate may split a 20 cent concession for their efforts. The process in which the stock is offered to investors prior to the development of the Internet was generally through brokers calling investors via the telephone. Another common way was the actual store front or office of a broker/dealer where individual investors could actually walk into an office and purchase new stock offerings directly. These offices were branch offices of a much larger firm like Merrill Lynch, Morgan Stanley, and Charles Schwab who might have been members of the offering syndicate. Brick and MortarSupply ChainIn the apparel industry there are several specific methods of the supply chain as it relates to the classic brick and mortar environment and one method really does not have a benefit over the other. The first method of discussion for the classic supply chain is the direct supply method where a company will make direct contact with its material suppliers to place orders; the supplier will then make arrangements to ship the material to the specified destination. This method generally takes a great deal of coordination on the purchasers parts because they may many different parts for many different department so generally it would  require a very expensive staff to ensure that the ordering is performed properly. The second method would be for a company to utilize an outside source to perform their purchasing and materials for manufacturing. This is a very effective method which allows a company to basically wash its hands of the entire supply chain process and holding the specialized company accountable for properly handling the purchase and ensuring accuracy. The down side is that it is very expensive to employ and outside company, this method can also not be feasible for many small brick and mortar companies. Web Site Supply ChainThe supply chain in a web site environment for an apparel company is much simpler then a tradition supply chain in many cases. The supply chain for these companies includes the purchasing of materials or finished products from other sources and creating a finished product sold under the familiar names of these companies. The use of the internet allows the goods to be purchased more efficiently then they were before. It also allows for a considerable financial savings in many cases. This is due to simplifying the whole process of procurement for the companies. They can now deal with these suppliers electronically from places all over the world. Wherever they can find the best deals for what it is they need. Orders are processed much faster this way and products can then be shipped out sooner then they would be traditionally. This allows the companies to move the products much quicker then they would ever have been able to using traditional methods. The result is larger profits for them and for the suppliers. Much of that is due to the better turn around. With the process being shortened, what is in demand can be procured in less time and sold to the customers that demand it. Supply Chain ModificationFor most brick and mortar type businesses they rely on customers actually coming into their stores to buy the goods they are looking for. However, with the advent of e-business and it success, it is harder to get people to come to these stores so they are now either going out of business or starting their own online services or e-Businesses. This  has caused many to move out of traditional spaces and into warehouses where they can store mass quantities of products and have fewer people on the payroll thus cutting costs. This also serves as a means to get more people interested in these companies as more and more people are finding it difficult or to time consuming to stand in lines for what can be hours just to buy a few things in a store with only a few registers running, this is also done to cut costs but in the long run it only serves to hurt business as people eventually get tired of the same old treatment and will go somewhere they will get fast friendly service. In many cases these customers will go to the internet versions of these same stores and get the same items delivered to their homes rather than go to these stores. For the companies previously mentioned they were for the most part off-sets from actual brick and mortar type businesses, the only exception is pyramid collection as they started as an e-business and have done quite well given their relatively small size and classification. As more and more traditional businesses are seeing market shares slip away to e-businesses, and their efforts to hold onto customers are not terribly successful. Many of these brick-and-mortars compete only with prices without regard to the level of service that consumers want. They undercut not only their online rivals, but also themselves, and their services are not financially sustainable. The best way to compete would be to take an honest look at the user experience, which is something most brick-and-mortars never do. E-businesses and traditional businesses alike could look to market leaders for solutions to their customer service shortcomings. A brick and mortar business has been the tradition for many years. As technology has become more advanced, e-business has had the opportunity to emerge into the market. It helps to save consumers time if not money all the time. By choosing to shop online, shipping charges are attached to all purchases, which brick and mortar companies do not have. The trade off has been shipping charges for a hassle free shopping experience. With e-business, a consumer can miss traffic, long lines at check outs and congestion of other shoppers. Brick and mortar companies will not go away as  they are still a needed part of the consumer market. These companies need to focus on how to get the customers back into their businesses and offline. The choice between e-business and brick and mortar businesses are determined by what consumers consider the advantage of their shopping experience. All business revolves around the consumer.

The Relationship Between Our Senses And Architecture

The Relationship Between Our Senses And Architecture à ¢Ã¢â€š ¬Ã‚ ¦. we all begin as hearing beings our four and a half month baptism in a sea of sound must have a profound and everlasting effect on us but from the moment of birth onward, hearing seems to recede into the background of our consciousness and functions more as an accompaniment to what we see. Why this should be, rather than the reverse, is a mystery: why does not the first of our senses to be activated retain a life long dominance of all the others? -Walter Murch In modern times, the eye has become the central point of the perceptual world. The primal dominance of hearing has been progressively replaced by the sense of vision. The hierarchy of the senses was not the same as it is today, where the eye, which dominates today, was in third place behind the sense of hearing and touch. The eye which is the governing organ of today was not the superior organ of the time which preferred hearing. Walter J Ong points out that the shift from oral to written speech was essentially a shift from sound to visual space. (Pallasmaa, 2005, pg 24). The will to power is very strong in vision. There is a very strong tendency in vision to grasp and fixate, to reify and totalize: a tendency to dominate, secure and control states David Michael Levin(Pallasmaa, 2005, pg 17). Architecture is considered to be the mother of all arts as it provides spaces for daily activities of life unlike the other forms of art. But it should be more than simply just for utilitarian purposes; it should also appeal to our aesthetic sensibilities. By combining colours, materials and shapes together, architects give out their artistic message in the structures that we see, hear and feel. (Blesser and Salter, 2007) Nonetheless the architecture of our time is turning into the retinal art of the eye: architecture has greatly become an art of the printed image. Instead of experiencing our being in the world, we behold it from the outside as spectators of images projected on the surface of the retina. (Holl, Pallasmaa and Gomez, 2006, pg 29). Archdaily and other such websites are daily reminders that architecture is a slave to its image. The callousness of contemporary architecture has resulted in an outcome of the negligence of the body and the senses, leading to an imbalance in our sensory system. The suppression of the other senses due to the domination of the sense of sight has resulted in the isolation, detachment and alienation of the individual (Pallasmaa, 2005). The aim of most architects is to have their buildings looking great in a set of photographs. However anyone who has visited a great piece of architecture knows that the experience is very different and often much better than that of seeing it in photos. This is not only because of the added dimensions of depth and time are absent in the photographs, but because touch, taste, smell and, of course sound are also missing. The mission of architecture in general is to renovate the experience of an undifferentiated interior world, in which we are not mere spectators, but to which we inseparably belong. In their book, Questions of Perception; Phenomenology of Architecture, Holl, Pallasmaa and Gomez imply that architecture involves all the senses interacting and infusing with each other. In compariso n to a painting which is only two-dimensional, the painter will have to express his world with his system of colours which must generate this invisible complex of impressions. Sight is solitary and tends to separate us from the world where as the other senses unite us with it. A walk through a forest is said to be invigorating and healing because it interacts with all of our senses and not just a few. We can hear the sound of the leaves rustling in the wind, get the scent of berries or raisins, and feel the warmth of sunlight filtering through the leaves. Blesser and Salter point out that, similar to poetry, architecture also contains symbolic meaning which portrays the culture and background of the architect, which he would depicts through spatial elements. Not only poetry, but even music is compared to architecture. Libeskind refers to the relationship of music and architecture not only by metaphor, but also through concrete spaces. He goes on to say, Every building that I have admired is, in effect a musical instrument whos performance gives space a quality that often seems to be transcended and immaterial. Goethe refers to architecture as being frozen music as architecture and music share the same vocabulary; rhythm, proportion, harmony, repetition and contrast. In architecture these 5 elements can be represented in form, layout, circulation and site location. Zaha Hadid designed a music chamber which holds the solo performances of composer JS Bach, and the design is a visual representation of Bachs music. Yet architects generally consider the visual aspect of the building. The writings of modernist architect Le Corbusier state: I exist in life only if I can see and one needs to see clearly to understand (Pallasmaa 2005, pg 27). The gestalt laws of visual perception are frequently used to analyse the experiences and perceptions of architectural form. Very rarely is the aural perception or acoustic aspect considered. This is because the modern culture has essentially adapted towards visual communications and has little appreciation for the emotional influence of hearing, and hence attaches little or no value for the art of auditory spatial awareness. Secondly, the aural experience of a space is continuously fleeting and disappearing instantly. There is no method of capturing and storing the aural experience of a space in museums, journals or archives. In contrast, the visual aspect of architecture can be recorded by means of sketches or photographs, and in this way the works of the prev ious generations can be learned about, even if the building does not exist anymore. Also the aural architecture of a space cannot be experienced without having dynamic events that produce sound, and inhabitants who complete the aural architecture. Another reason for the overlooking of aural architecture is that for most people the aural memory of the space and the language for describing this memory is weak and insufficient. Think about describing the sounds of a place, other than describing the events that caused the sound. Finally, most architects are awarded with prizes based on their visual portfolio, and they in turn train the next generation of architects to concentrate on the visual experience of a space. Questions about acoustic architecture are generally not familiar and professional architecture and design schools provide little or no training in aural aesthetics (Blesser and Salter, 2007) Nevertheless the aural experience of a space is very important as it has significant influence on the mood and behavior of the people within those settings. Sound is necessary for the social and emotional well-being of the user. It has the ability to touch our souls and speak to us at a vey profound level. It has the power to calm us, inspire us, uplift as well as heal. The way we experience a space is largely determined by our aural perceptions of that space. Unfortunately, as mentioned earlier, modern culture has little appreciation for the emotional influence of hearing. Without music in movies, there would be no suspense, no excitement and no horror. Architecture without its aural properties would be like a movie without music (or sound track). There is no such thing as a silent room. Sound always exists in a space, and every space has acoustic properties which influence and change the sound. For this reason sound never exists in pure form because the space it exists in will alter it. Move a symphony orchestra to the forest and it will not sound the same even though the sound source is consistent. It would loose the aural impact and intimacy of a concert hall. Ever wondered why you sound better when singing in the bathroom in comparison to the living room? This is due to the acoustic properties of the bathroom, which is taking advantage of the resonance of a small space. Likewise every space has aural qualities which have the ability to affect the social and emotional well-being of the inhabitant although they may not be consciously aware of it. The acoustics of a grand cathedral can create an exalted mood; those of a chapel can enhance the privacy of quiet contemplation; those of an elevator can produce the feeling of encapsulation and, in the extreme, claustrophobia (Blesser and Salter, 2007). The aural architecture of a space could have a social meaning as well. The marble floors and walls of a lobby would indicate an approaching visitor by the loud echo of their footsteps. In contrast, the materials used in the living room would be thick carpeting, heavy draperies and upholstered furniture which would tone down the sound of footsteps. The aural aspects of the lobby therefore verify whether one is entering a public of private space. If these same materials were applied to the living room, the acoustic attributes would convey a different feeling; c old, hard and barren, in comparison to warm, soft and intimate. (Blesser and Salter,2007,) Many times the visual and aural meaning of the space goes hand in hand, and reinforce each other. The vastness of the cathedral can be related through vision, whilst the engulfing echoes communicate through the ears. However this is not the case all the time as there are instances where the visual and aural aspects are not mutual. For instance an expensive restaurant may give the visual impact of having a relaxed and elegant atmosphere, but the echo of clattering produces stress, anxiety and tension, making it difficult to socialize. (Blesser and Salter, 2007) The natural ability for human beings to sense a space by listening is hardly ever recognized. Many people think that sensing spatial attributes requires a special skill, but all individuals do it almost naturally and on a daily basis. Observing that ordinary people hear dormant objects and sense spatial geometry needs a valid explanation (Blesser and Salter, 2007). Architecture does not radiate light and yet it can be seen. This is because it reflects light, and this gives us knowledge about the form and material of the building. This same principle applies to sound, where we hear the sound that is reflected off the surfaces of the building and this too gives us an impression of the form and material of the building (Steen Eiler Rasmussen). The reverberation is the auditory mean by which we become conscious about spaces around us, and their properties. The space becomes audible. We then begin to see with our ears (Blesser and Salter, 2007). Each building or space will reverberate dif ferently depending on the material used and the shape of the rooms. Sound is invisible, but has the power to change the character of the space we occupy. -Julia Schulz-Dornburg Aural architecture refers to the properties of space that can be experienced by listening. These properties are volume (or form) and material, and they help an individual in perceiving an aural space. By viewing the form and size of a space, one may be able to speculate what kind of aural intensity it possesses. But the visual perception does not prepare us for the actual aural experience the space reveals. Some spaces may seem to be acoustically impotent, but may surprise us with astonishing sound properties. An individuals behavior in a space as well as their perception of the significance of the space are greatly influenced by the sonic quality that the spaces possesses (Mateo Zlatar, 2003). For instance, the acoustics of a governmental chamber strengthens the importance of the speeches held within the space. The amount of sound a material will absorb or reflect depends on it properties. Not only do materials evoke different feelings, but they can be combined and manipulated in di fferent

The Theme of Love Essay -- Love Poetry Literature Essays

The Theme of Love â€Å"Romantic love, physical love, unrequited love, obsessive love.† Compare the ways the poets have written about the theme of love, bringing out different aspects of it. In the six poems I have studied, I see a wide range of different types of love mentioned. I will be looking at 3 poems in depth. These are: â€Å"Porphyria’s Lover†, written by Robert Browning, â€Å"My Last Duchess†, written by the Duke of Ferrara and â€Å"To His Coy Mistress†, written by Andrew Marvell. When it comes to romantic love, â€Å"To His Coy Mistress† contains some elements of it. â€Å"To His Coy Mistress† also includes aspects of physical love. When it comes to unrequited love, â€Å"Porphyria’s Lover† and â€Å"To His Coy Mistress† hold a large scale in them. â€Å"My Last Duchess† also includes shades of unrequited love. â€Å"Porphyria’s Lover† and â€Å"My Last Duchess† contain features of obsessive love. In my essay, I would like to pay particular attention to unrequited love because it shows how the women in the poems are seen as a possession, which the men must rightfully have. I will also look at aspects of obsessive love. â€Å"To His Coy Mistress† is not generally positioned in this type of love as the poem does not really contain obsessive love, but in my opinion it can be placed in the category as the speaker is pressuring the girl into having sex with him and he wants her to sleep with him now. He is being seen as obsessive and wanting things his way, immediately. This can be seen when he says: â€Å"HAD we but world enough, and time†¦Ã¢â‚¬  This shows that time is short and wasting away. This quote is important as it is a powerful opening, stressing the impact of time upon them. I will first compare â€Å"Porphyria’s Lover† and â€Å"My Last Duchess... ...it just for pleasure? The narrator is transparent in what he wants. He only wants his mistress for sex and pleasure. The poem starts with the pronoun â€Å"we† but as the poem progresses, it starts to separate into individuals: â€Å"I† and â€Å"thou†. At the end, it turns back to â€Å"us†. The first stanza of the poem makes the reader think that it is a love poem, when really it is a lust poem. The narrator uses the images of fear and lost opportunity and time as a threat to the woman. The writers, in the poems that I have compared, bring out love in different ways. There are different tactics involved, which is what I think make all these poems unique and interesting to read. Each poem brings about different types of love. The poems all try to get the women they think they rightfully deserve, except for â€Å"My Last Duchess† where he is obsessive about his woman.

Violence In The Media :: essays research papers

The Effects of Violence on TV Did you hear about the recent Jonesboro shootings in America where an 11-year-old and a 13-year-old shot down and killed four school mates and a teacher? The outrage has been put down to many things including exposure to violence in the media and computer games. Television authorities will tell you that TV doesn't breed murderers, and to some extent it is true, but the fantasy violence on TV and computer games is enough to tip a blood-drenched fantasy or perhaps a gruesome dream of revenge into an irreversible act of reality. The debate over the effects of violence in the media and computer games has been going on for quite some time, but it was only in 1997 that it reached significant status just after the killing of an 11 year old boy by a 14-year-old in Japan. The 11-year-old was decapitated and his head placed on the school fence. The idea supposedly came from a form of media or computer game. This lead to the investigations of the so-called "Nintendo generation", a generation so focused around computer games and television that reality is no longer easy to distinguish from fantasy and abnormality. Professor Fukaya of the New York Times says "They haven't been growing up with real feelings, living with real friends, or with real nature." Figures show that one in four British children has their own VCR and uses it to record s-rated films late at night. X-rated films are not the problem. The problem is that the films are x-rated for a reason and this reason is that they are not designed for children's ever believing eyes. Figures also show that they are very damaging, not least because of the desensitising more sex and violence has on children's minds. The rampage in 1987 by a sacked mail man put the term 'going postal' into the American vocabulary, meaning: a murderous rage. Since then a computer game has been made, although it is banned in Australia demo's are available on the internet. The game POSTAL, involves a series of massacres, including a school ground shooting. The player has to try and stalk as many school kids as possible and then shoot them. Then they have the chance to either listen to their plees for mercy of ignore them and finish them off for extra points. So the object of the game is to kill as many people as possible.

Allegory of Young Goodman Brown Essay

The story, â€Å"Young Goodman Brown† by Nathaniel Hawthorne has a lot of allegories. It is a moral story that is told through the corruption of a religious person. Goodman Brown is a Puritan minister who lets his pride and belief in himself interfere with his relations with the community after he meets with the devil, which causes him to live the life of not knowing who to trust or believe in his own community. In the beginning when Faith, Brown’s wife, asks him not to go. Brown says to her â€Å"My love and my Faith †¦ this one night I must tarry away from thee†. DiYanni 273) When he says his â€Å"love† and his â€Å"Faith†, he is talking to his wife, but he is also talking to his â€Å"faith† to God. He is headed into the woods to meet with the Devil, and by doing so he leaves his faith in God with his wife. His pride made him feel that he can sin and meet with the Devil because of this promise that he made to himself. This promise is not without irony because when Goodman Brown came back he no longer looks at his wife with the same faith he had before. When Brown left and met with the Devil, he declares that the reason he was late was because â€Å"Faith kept me back awhile. ( DiYanni 273) From talking to the devil Brown says that he comes from a â€Å"race of honest men and good Christians† ( DiYanni 274) . The Devil then pointed out his father and grandfather when they were flogging a woman or burning an Indian village. These words were ironic because of the bad things that they had done and it shows that he does not come from â€Å"good Christians. † ( DiYanni 274) The devil continued trying to convince Brown, but he did not give in because of his wife, â€Å"Faith†. And because of her, he couldn’t continue. The Devil agrees with him and tells him to turn back to prevent that â€Å"Faith should come to any harm† like the old woman in front of them on the path. ( DiYanni 274) The turning point of the story starts when Brown’s is confuse about his faith because the woman on the path is the woman who â€Å"taught him his catechism in youth, and was still his moral and spiritual adviser. † ( DiYanni 275) The Devil and the woman had spoken to each other, Brown continues to walk on with the Devil in the disbelief of what he had just witnessed. Brown again decides that he will no longer continue and says that just because his teacher was not going to heaven, why should he â€Å"quit my dear Faith, and go after her†. ( DiYanni 275) The Devil tosses Brown his staff and leaves him. Brown begins to think to himself about his situation and his pride in himself begins to build. Brown is feeling good about his strength in resisting the Devil, he see a carriage coming, and he hears the voices of the minister and Deacon Gookin. He overhears their conversation and hears them discuss about a â€Å"goodly young woman to be taken in to communion†! ( DiYanni 276) that evening at that night’s meeting and fears that it may be his Faith. When he heard this he became weak and fell to the ground. He â€Å"begins to doubt whether there really was a Heaven above him† and this is a key point when his faith begins to corrupt him. Once he begins to doubt whether this is really what he had heard or not, the sound comes t o him again and this time it is followed by â€Å"one voice, of a young woman†. ( DiYanni 277) He believed it was Faith and he yells out her name in the forest. A pink ribbon flies through the air and he grabs it. At this moment, he has lost all faith in the world â€Å"My Faith is gone† and was convince that there were â€Å"no good on earth. † ( DiYanni 277) Brown was manipulated simply by his belief. Not only was his wife gone but also his faith, because to him his wife was the only one who was innocent, but also now she was taken open by the evil in the town. At this point Brown had lost his faith in God, therefore there was nothing holding his instincts from moving towards evil. Brown then goes mad and challenges evil. He feels that he will be the downfall of evil and that he is strong enough to overcome it all. He believes that he is better than everyone else in that he alone can destroy evil. He says this remark because he is upset about the lost or his wife to evil. Throughout the story, Brown does not show any emotions like a normal person would have had. The author shows that Brown has â€Å"no compassion for the weaknesses he sees in others, no remorse for his own sin, and no sorrow for his loss of faith. (Easterly 339) This is an example of how Goodman Brown chose to follow his head rather than his heart. The â€Å"Young Goodman Brown† ends with Brown returning to Salem at early dawn and looking around like a â€Å"bewildered man. † He cannot believe that he is in the same place that he just the night before. Salem was no longer home to him. He felt like an outsider in a world of Devil worshippers and because his â€Å"basic means of order, his religious system, is absent, the society he was familiar with becomes nightmarish. (Shear 545) He comes back to the town â€Å"projecting his guilt onto those around him. † Brown shows his anger towards the community when he sees Faith who is overwhelmed with excitement to see him and he looks â€Å"sternly and sadly into her face, and passed on without a greeting. † ( DiYanni 280) Brown cannot even stand to look at his wife with whom he was at the convert service with. Goodman Brown was devastated by the discovery that the potential for evil resides in everybody. The rest of his life is destroyed because of he has to face the truth and live with it. The story, which may have been a dream, and not a real life event, created a lot of doubt in Brown’s mind that cut him off from his fellow man and leaves him alone and depressed. So no matter if it was a dream or not it had a huge impact on him. His life ends alone and miserable because he was never able to look at himself and realize that what he believed were everyone else’s faults were his as well. His excessive pride in himself led to his isolation from the community. Brown was buried with â€Å"no hopeful verse upon his tombstone; for his dying hour was gloom. â€Å"